Knowing as I do the search results that bring people to The Ascetic Sensualists, I believe most people who find this site either find what they are looking for, are looking for something I am not able to provide [e.g. “domestic violence with children in scotland posters in public domain” or “charles aznavour armenian autograph“], or have a request that will easily be answered elsewhere [e.g. “what was parallax ‘s name before being evil” or “pilgrim kick her in the balls wallace gif“].

That vest, those sideburns ... caprine.

There’s also one question that I should have answered in my post on the topic, but didn’t. There are many people in the world who have enjoyed the classic nostalgic pastoral comedy The Englishman Who Went Up A Hill But Came Down A Mountain and are curious as to why Colm Meaney’s character Morgan is called “Morgan the Goat”. I hope this post will satisfy those queries.

As you know if you’ve watched the movie, Welshmen only have a handful of surnames, like North Koreans, and in provincial regions they only have a handful of first names as well. So the yokels in TEWWUAHBCDAM are commonly referred to by their profession or other distinguishing feature, such as “Williams the Petroleum”, “Johnny Shellshocked”, and my personal favorite “Davies the School”.

In the case of Morgan the Goat, I believe “the Goat” is a reference to his propensity for randy lustfulness. It doesn’t quite fit with occupation-based monickers like “Thomas the Trains”, but it’s more evocative than “Morgan the Inn” or “Morgan the Pub”. His name is Morgan, and his distinguishing characteristic is sexuality. He’s the one the gossips all gossip about, rolling in the hay with this wench or that. In British tradition, goats are associated with sexuality, connected to the Greek god Pan, satyrs, joyful fertility, and so forth.

That’s why he’s called “Morgan the Goat”.

Click here [warning: PDF] for a discussion of the god Pan in British literature of the Victorian and Edwardian eras, by one Dr. Richard Stromer, who may be a crackpot but has extensive historical knowledge.

Pan’s erotic nature, like that of the satyrs with whom he often kept company, was largely oriented toward the pursuit of purely carnal gratification. In part, this aspect of Pan is related to his role as guardian and facilitator of the fertility of herding animals. More significantly, however, Pan’s erotic appetites and ithyphallic image are simply a reflection of his own goat-like nature.